Hysterical Candid Photos of Terrified People in a Haunted HouseBy EDW Lynch on October 10, 2011
The Nightmare Fear Factory, a haunted house attraction in Niagara Falls, Canada, captures âfear picsâ of visitors by photographing them at a climactic scare moment. The candid photos show the very real and very hilarious looks of terror on their faces.
Look, I'm not a chef/cook. But there are 2 spices that make anything taste delicious. Especially this time of year for any treat that's pumpkiny (word?).Â
These 2 spices will save the untrained, barbaric, kitchen dweller. (me) They're sooo good, that they'll even make your shoes taste fantastic. Enjoy. Happy October
Kristen Stewart's "bikini" cover for British Gq magazine has caused a stir in the 'Twilight' world, with fans of the franchise avidly discussing the risque photo shoot on social networking sites. In the accompanying interview, Kristen addresses her body image and chats about her 'Breaking Dawn' co-stars.
The actress actually graces the November cover of two fashion magazines, with highly contrasting looks. On the Gq cover, Stewart relaxes on a poolside chair wearing a dark green retro bikini and slicked back hair. The headline reads, "Bite Me! Twilight's Kristen Stewart is ready to draw blood". She also appears on the cover of Allure Magazine, wearing a simple ensemble of striped top and jeans, with her hair down. In the Gq interview, the actress speaks candidly about her body image, claiming to have "looked like a boy" for a long time, but admitting she now feels "like a woman". She also mentions her upcoming film projects, including the hugely anticipated 'Snow White and the Huntsman' and the movie adaptation of Jack Kerouac's classic novel 'On the Road'. In the Allure interview, the actress claims she enjoys watching the Twilight movies with Taylor Lautner, rather than rumoured boyfriend Robert Pattinson, because Lautner is a true fan.
Stewart, Lautner and Pattinson star in the final instalment of the Twilight saga, 'Breaking Dawn: Part 1', which hits cinemas on 18th November 2011.
Eazy-E's Son Wants To Portray Dad In N.W.A. Biopic
28 September 2011 19:07
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Eazy-E's Son Wants To Portray Dad In N.W.A. Biopic
The son of rapper Eazy-E is in talks to portray his late father in a planned biopic about legendary hip-hop group N.W.A..
Former group member Ice Cube is set to produce the upcoming movie, about the Compton, California natives' rise to fame in the late 1980s, his departure from the band in 1989 and its subsequent split in 1991.
Lil' Eazy-E, real name Eric Wright, Jr., admits he's desperate to portray his dad on film and insists there's a "high probability" he will be cast in the biopic.
He tells Tmz.com, "I'm the perfect man for the role. Who better to play him in the N.W.A. days? Like father, like son - no make-up needed. I know I'm just like my dad."
Wright, Jr., who was just 11 years old when his famous father died from Aids in 1995, has yet to officially audition for the part, but claims he has already been in touch with producers about the job.
N.W.A. launched the careers of Ice Cube, Dr. Dre, Eazy-E, MC Ren and DJ Yella with controversial tracks like F**k Tha Police and Gangsta Gangsta.
Why go through the awkward, itchy hassle of growing a real beard when you can just keep one of these Inflatable Beards in your pocket and be bearded in a matter of seconds?
Archie McPhee, purveyors of pop culture, have invented the Inflatable Beard product for gentleman to instantly classify themselves as âdistinguished, dignified and debonairâ. Between this and their fingerless Handerpants, it may be difficult for men wearing them to âhold back the ladiesâ.
The 'Beautiful' hitmaker - who stars as a judge on the singing talent show alongside Adam Levine, Cee-Lo Green and Blake Shelton - has already signed up for a second series of the show, but producers are said to be unhappy with her on the show and want to replace her for a potential third cycle.,Â
A source told X17online.com: "She doesn't spent time with her contestants like she's supposed to.Â
"She doesn't participate. She spends most of her time on the set with her boyfriend."Â
Earlier this year NBC Network's Paul Telegdy said he was pleased all of the judges would be returning to the series.Â
He revealed: "Our fantastic coaches were integral to the tremendous success of 'The Voice' this year and we are thrilled they are all returning."Â
Christina reportedly earns £140,000 per episode of the show - which requires the panellists to critique singers for their talent alone and now what they look like - while the other judges earn £47,000.Â
Why do they keep hiring the same forgettable drones on network TV? Because it requires effort and little risk... except for the fact that nobody is watching.
Katie Couric - A "New" Katie Couric Debuts On Abc
07 September 2011
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A "New" Katie Couric Debuts On Abc
Katie Couric made her debut as an ABC personality on Tuesday night with a B-list celebrity interview with Sarah Jessica Parker, who is promoting her upcoming film I Don't Know How She Does It . Appearing on ABC's late-night magazine show Nightline, Couric lobbed mostly softball questions and Parker easily hit them into the infield. Parker's big reveal is that she drives a minivan, "and I'm telling you, it's the most wonderful car." She maintained that she was not bothered by paparazzi, except for their "lack of civility," which she regards as a "more intimidating and more painful experience." Ratings for Tuesday's Nightline , which have steadily been ahead of the Tonight show on NBC and Late Night on CBS in the 11 30 p.m. half-hour, were not immediately available.
The college football season starts this weekend, and I wonât lieâIâm pretty excited. My beloved Sooners are ranked number one in preseason polls, and I quite enjoy settling on the couch on a cozy fall day to watch them play (when they win at least!).
But every once in awhile, say when the announcer shares the gameâs attendance numbers, I get a small niggling feeling of discomfort. 80,000 people gathered to watch 22 men run around, throw a ball, and smash into each other. The appeal is not difficult to seeâthereâs something truly compelling about watching the most talented athletes in the world perform. But when you take a step back, itâs really quite odd, isnât it? Two groups of menâthe doers and the viewersâand one group is far, far larger than the other.
The Rise of Spectatoritis
Here and there appears the aggravated case, completely infected, the fan who is nothing but a fanâa flabby creature, symbolic of the multitude, a parasite upon the play of others, the least athletic of all men, never playing himself at anything, a spectacle hunter, not a sportsman. âRichard Henry Edwards, 1915
During these odd moments I often think of an old book Kate picked up a few years ago at a used bookstore. Written in 1938 by Jay B. Nash, itâs entitled Spectatoritis. During the first half of the 20th century, leisure time had steadily increased, and Nash argued that because Americans had never before been confronted with such large swaths of it, the country had not developed a âphilosophy of leisure.â Without this philosophy, people were falling victim to what he dubbed âspectatoritis:â
The machine age has, of course, already supplied an unexampled wealth of leisure and what happens? The average man who has time on his hands turns out to be a spectator, a watcher of somebody else, merely because that is the easiest thing. He becomes a victim of spectatoritisâa blanket description to cover all kinds of passive amusement, an entering into the handiest activity merely to escape boredom. Instead of expressing, he is willing to sit back and have his leisure time pursuits slapped on to him like mustard plastersâexternal, temporary, and, in the end, âdust in the mouth.â
Nash presciently predicted that the plague of spectatoritis would only increase:
Man can sleep too much. Granted freedom, many men go to sleepââphysically and mentally,â organically and cortically. Not having the drive for creative arts they turn to pre-digested pastimes, prepared in little packages at a dollar per. This has literally thrown us into the gladiatorial stage of Rome in which the number of participants becomes fewer and the size of the grandstands, larger. Spectatoritis has become almost synonymous with Americanism and the end is not yet. The stages will get small and the rows of seats will mount higher.â
One can easily see how the specter of spectatoritis has indeed seeped into all areas of our lives. Not only in the obvious things in which passive involvement has always been the normâ90 million Americans watched the 2011 Superbowl; 100,000 people watched U2 in concert in Octoberâbut in areas which were formerly forums of active participation. For example, in visiting a couple of âmegachurches,â awhile back, I was surprised at how much the service (actually, they called it an âexperienceâââserviceâ sounds too boring and stodgy) resembled any other form of entertainmentâpeople listened to the music, watched a video and powerpoint presentation, sat through a short message from the pastor, and left 60 minutes later. There were no requirements for participation or service of any kind. It was interesting to see that worship had become yet another thing to be passively consumed, as opposed to actively created.
A current trend in the building of new middle and upper class suburban homes is to include a âtheater room,â a windowless room complete with large, movie theater-like chairs, a speaker system, and a big screen television. This is another one of those things that seems odd when you take a step backâ¦a whole room in the house dedicated just to watching stuff. Weâve gone from having parlors for making conversation, to rumpus or recreation rooms for playing games, to rooms in which people sit silently side-by-side in the dark.
More than anything, the internet has contributed to the spread of spectatoritis. Online interactions are particularly insidious because they provide people with the feeling that they are actively participating in something, while in reality it is just another form of passive amusement.  The main form of âactivityâ in modern life is the expression of personal preference. Liking or disliking. While formerly you could only be a fan of sports teams, you can now become a âfanâ of Dominos Pizza, presidential candidates, even âsleeping.â I find it amusing that some websites have buttons in the response section of articles that allow people to upvote or downvote readersâ comments. So if youâre too lazy to write your own stuff, and itâs too much of a burden to even generate your own comment, you can still âparticipateâ by showing your allegiance to someone elseâs idea. But giving things thumbs up or thumbs down is not real participation. Why? Because such participation is âexternal, temporary, dust in the mouth.â Because it doesnât involve any risk, any putting of your own skin in the game. Because it doesnât change anything in you or in the world.
You Canât Become a Man from the Sidelines
The personal interest in athletics has been largely superseded by an interest in spectacular games, which unfortunately tend to divide the Nation into two groups: the few overworked champions in the arena, and the great crowd, content to do nothing but sit on the benches and look on, while indulging their tastes for tobacco and alcohol.
It is this last that is turning so many thoughtful ones against baseball, football,etc. This, it will be seen, is a reproduction of the condition that ended in the fall of Rome. In her days of growth every man was a soldier; in the end a few great gladiators were in the arena, to be watched and applauded by the millions who personally knew nothing at all of fighting or heroism.
Degeneracy is the word.
To combat the system that has turned such a large proportion of our robust, manly, self-reliant boyhood into a lot of flat-chested cigarette-smokers, with shaky nerves and doubtful vitality, I began the Woodcraft movement in America.â âErnest Thompson Seton, creator of Woodcraft Indians, and a founder of Boy Scouts of America
Of course thereâs nothing wrong with taking in a spectacle or two. As I said the beginning, I love to watch football, and I enjoy attending a minor league baseball game, movie, or concert from time to time. I do not currently have the privilege of enjoying the smug pleasure of telling people that I do not have a tv, and I enjoy catching a few shows each week. I like surfing the internet and sharing things on Facebook.
There are men who feel that the entire problem with males today is that theyâre too obsessed with college and professional sports. But thatâs as wrong-headed as thinking that indulging in a straight diet of passive entertainment carries no ill-effects whatsoever. Rather than suffering from spectatoritis, these men are inflicted by high-horse-itis.
No, a problem only arises when instead of being a supplement to your lifeâan occasional relaxing indulgenceâpassive amusements become a substitution, a way to feel better about something you personally lack.
Recently, William Deresiewicz wrote âAn Empty Regard,â a searing op-ed piece for The New York Times in which he questioned our current unthinking idolization of the military. This near canonization of the troops began during the Iraq War with the well-intentioned purpose of not repeating the mistakes of Vietnam, in which opposition to the war translated into animosity to those serving in it.
Deresiewicz is not against supporting the troops per seârather he argues that we use them as our ânational football team,â as a reassuring symbol that the characteristics of traditional manhood are still alive and well. âThe soldier is the way we want to see ourselves: stoic, powerful, focused, devoted,â Deresiewicz writes. But itâs a safe symbolâa team we can cheer for from the couch without having to step into the arena ourselves:
 The greater the sacrifice that has fallen on one small group of people, the members of the military and their families, the more we have gone from supporting our troops to putting them on a pedestal. In the Second World War, everybody fought. Soldiers were not remote figures to most of us; they were us. Now, instead of sharing the burden, we sentimentalize it. Itâs a lot easier to idealize the people who are fighting than it is to send your kid to join them. This is also a form of service, I suppose: lip serviceâ¦
The political scientist Jonathan Weiler sees the cult of the uniform as a kind of citizenship-by-proxy. Soldiers and cops and firefighters, he argues, embody a notion of public service to which the rest of us are now no more than spectators. What we really need, in other words, is a swift kick in the pants.
And this is the real danger of spectatoritis run amokâit allows us to experience vicariously the virtues of others, without having to cultivate them ourselves.
We can see this phenomena in the popularity of certain television shows as well. Deadliest Catch. Ax Men. Ice Road Truckers. These programs showcase blue collar men working with their hands, getting dirty, and risking their lives to support their families. The white collar man, himself a stranger to manual labor, gets a vicarious dose of blue collar manhood by watching these shows, all from the comfort of his recliner.
But these vicarious experiences are fleeting. They conjure up feelings of manliness for an hour or two, but seep away, leaving the spectator entirely unchanged. And the world utterly the same.
Discussing a manly âphilosophy of leisureâ really deserves its own post, but for now, a simple recommendation is this: every man should have at least one thing in his life in which he has some skin in the game, in which he is actually in the arena, and not watching from the stands. One thing in which he is a doer, and not just a viewer.
When I hear that a "celebrity" is spawning, I think to myself "Um.. ok.. so" But a lotta folks think that celebrity babies are better than normal babies. Because nannies make great parents. Read on.
Beyonce Shatters Twitter Record with Big Pregnancy Reveal
Outside L.A.'s Nokia Theater at Sunday's MTV Video Music Awards, Beyonce broke the major news to insiders that she's expecting her first child with husband Jay-Z.
Moments after finishing her incredible "Love on Top" performance, the star, 29, ripped open her purple sequined D&G blazer to reveal her baby bump, which in turn shattered Twitter's record of the highest number of sent tweets per second.
"Last night at 10:35pm ET, Beyonce's big MTV #VMA moment gave Twitter a record bump: 8,868 Tweets per second," the company's official handle @TwitterGlobalPR tweeted on Monday.
The mass amount of 140 character-long messages wasn't the only way the Grammy-winning artist took over Twitter: "BEYONCE IS PREGNANT" turned into a huge Trending Topic and many fans changed their Twitter profile pic to photos of the songstress.
Twitter's impressive stat comes as no surprise, since Sunday night's VMAs had the highest ratings for the award show ever. The Los Angeles Times reported that according to Nielson Co., the audience was up 9 percent compared to last year's VMAs: 12.4 million viewers tuned in, making it MTV's most-watched telecast ever.